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The 2003 U.S. invasion of Iraq marked my first year of teaching. When one of my students referred to Iraqis as “towel heads,” I told him he had to do extra homework researching turbans and present a report to me the next day. It took him a week to complete the assignment, and instead of gaining insight and compassion for a different group of people, he probably just became more resentful. I now see this as a lost opportunity. As a precursor to our social studies unit on conflict in the Middle East, I taught a unit this year on world religions. We started off studying seven of the world’s major faiths and then narrowed it down to the three Abrahamic religions: Christianity, Judaism and Islam.

What are the warning signs of abuse? How can -- and should -- a teacher or school react when evidence of abuse surfaces?

Classroom discussions are usually dominated by a few “alpha” students eager to participate. We can all envision those students. Hands stretched high, fingers waving, literally or figuratively saying, “Ooh, pick me, pick me.” But how do you get that student who is desperately trying not to make eye contact with you—or anyone else in the classroom—involved in the conversation?

The county career center in my school district boasts a 96-percent placement rate, even in these days of near double-digit unemployment. That’s because its graduates develop skills our community needs. Students build houses. They repair cars. They network computers. Whether their next step is college, an apprenticeship or immediate employment, most high school students who complete a tech school program exit with a head start toward security. If only that were true for all.

My middle school students had started to use words like “bum,” “creeper,” and “hobo” to describe people who are homeless in our city. To my eighth-graders, it was comic relief.

TT director Maureen Costello thinks students have one simple request: “See me.”

I decided to show a short You Tube video clip in class the other day. It’s a montage of scenes of men crying from various movies complete with cheesy background music, a song Don’t Cry Out Loud. I used it to open a discussion about how stereotypes put unnecessary limitations on people.

One of the surest ways to motivate students to not only write, but to write with passion, purpose and power, is to make sure they have an authentic audience. This means they must write for somebody other than me, their teacher. Students must know that there is power in their words and that they can be heard.