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In this essay, Melvin Pichardo, a young aspiring actor, becomes so immersed in becoming a character for a role that he begins to question who he is as a person and what he feels and thinks.

Are American Indian names, mascots and logos insulting or honorable? Veronica Majerol outlines the debate, citing evidence from local high school students, the N.C.A.A, and a founder of the National Coalition on Racism in Sports and the Media.

In this story, Hani faces the decision of removing her hijab in order to play in a basketball tournament or sitting on the bench and watching the game. With the support of her teammates, she stands up to injustice and makes an important decision.

Two friends who attend different schools in the same community learn that one of their schools has no instruments for their music program, while the other has multiple different kinds. They use their friendship and musical abilities to confront this inequity and try to bring about change.

In his essay, Bacon provides some high-level insights into the past of America’s deaf, as well as the current culture and some potential challenges that lie ahead.

In this film, the debates surrounding same-sex marriage are illustrated when a ketchup bottle wants to be with a mustard bottle. Picky, the toothpick dispenser, resists such an idea because it flies in the face of tradition.

As a young Muslim girl, Zahrah wore her hijab to school on what is considered to be the most important day of the week in Islam—Friday. Not everyone at Zahrah's school understands her religious traditions, but a visit from her mom changes this.

Sean McCollum gives an account of writer Julia Alvarez's move to the United States from the Dominican Republic as a young girl. Although Alvarez struggled to fit in in this unfamiliar place, she finally found a comfortable niche in her writing.

Richard L. Copley took this photograph in 1968 at the Memphis sanitation workers' strike -- the reason Martin Luther King Jr. was in Memphis on the day he was killed.

In this personal narrative, Clare explores multiple facets of the self and questions why gender is still discussed as a binary. He acknowledges the tortured lives that many have lived as a result of their gender ambiguity and declares that all those who "gawk," "gape," and "stare" at those who are different never get it right.